MTEW Example Submission Form Please fill out as much information as you can. We greatly look forward to reviewing your submission and making it available for other educators! Please enable JavaScript in your browser to complete this form. - Step 1 of 4Your Name *FirstLastYour Email *Your Institution (If any)Your Job Title (optional)How would you like us to credit you?We will credit you exactly how you enter your credit. If you do not want to be credited, just leave this blank! Some ideas: J. S.; J. Smith; Jane Smith from Central State University; Jane Smith, Director of Composition and Theory, Central State UniversityNextName of the Piece *Please be as specific as possible including opus, catalogue, movement, etc.Composer *Please use the following format: Last Name, First Name Middle Name/Initial (Birth Year - Death Year)Date of Composition *Put "unknown" if the date is not known.Musical Era *---Pre-Baroque (Before 1600)Baroque (1600-1750)Classical (1750-1820)Romantic (1810-1910)20th-21st Century (1910-Present)UnknownOtherMusical Era If Other, Please Describe *NextUpload a BLANK score Click or drag a file to this area to upload. PDF Format OnlyLink to a BLANK score (IMSPL or other)Please upload an ANALYZED score (if you have one) Click or drag a file to this area to upload. PDF Format OnlyLink to AudioLink to Spotify, YouTube, Naxos, or other quality streaming audio.NextMeter & Rhythm---Simple MeterCompound MeterAsymmetrical MetersChanging MetersAnacrusisHemiolaSyncopationOtherMeter & Rhythm Other, Please Describe *Scales & Tonalities---MajorMinorChromaticModalPentatoincWhole ToneOctatonic12-ToneOtherScales & Tonalities Other, Please Describe *Chords & Harmonies---Tonic & DominantInversions of V7Predominant (ii, iv, IV, and sevenths)viiº6 and viiº7Common-Tone Diminished Seventh Chordsvi/VI SubmediantIII/iii Mediant6/3 Chords6/4 Chords (Arpeggiating, Pedal, Cadential, Passing)Borrowed Chords / Modal MixtureNeapolitanApplied Chords / Secondary DominantsAugmented-Sixth ChordsOtherChords & Harmonies Other, Please Describe *Harmonic Progressions---Phrase ModelPassing ChordsNeighbor ChordsVoice ExchangeSequencesModulation / TonicizationDescending Step Bass (Major/Minor/Lament)OtherHarmonic Progressions Other, Please Describe *Cadences---PAC - Perfect Authentic CadenceIAC - Imperfect Authentic CadenceHalf CadenceDeceptive Resolution & CadenceOtherCadences Other, Please Describe *Embellishing Tones / Non-Harmonic Tones---Passing TonesNeighbor TonesSuspensionsAnticipationsAppoggiaturaPedal ToneOtherEmbellishing Tones / Non-Harmonic Tones Other, Please Describe *Form---PhraseSentencePeriodSimple BinaryRounded BinaryTernarySonataRondoSectional VariationsContinuous VariaitionsSonata-RondoConcertoOtherForm Other, Please Describe *Texture---Fugue & CanonHomorhythmicHomophonicAntiphonyMonophonyPolyphonySingle Line InstrumentMelody & AccompanimentAlberti BassOtherTexture Other, Please Describe *20th & 21st Century---CentricModalQuartal / QuintalCyclic / SymmetricalWhole ToneOctatonicSerialHexachordal CombinatoriallyComplete 12-Tone AggregateMinimalistExtended ToanlityPlanningAmetricOther20th & 21st Century Other, Please Describe *Score Reading---Clef VarietyFigured BassTransposing InstrumentsOtherScore Reading Other, Please Describe *Please describe the instrumentation: *Submit